Thursday, January 17, 2013

The Blame Lies with Us.

I thought that this was it.

The brave Hazara protestors by sitting silently on Alamdar road, without firing a single shot, without burning a single building had brought down one of the most corrupt and inept governments in  six decades  of Pakistan’s existence.

I thought that a new day has begun, the overwhelming support for the Hazara community and the rejection of all forms of sectarian violence was heartwarming.  We Are All Hazara, Justice For Hazara and Quetta Sit-in hash tags flooded twitter, in the end, the government decided that ignoring the issue was no longer an option and caved in.

Peaceful struggle had won.

But then, on the evening of this Tuesday, another tragedy struck. This time in Alam Gudar, KPK,  where  15 tribesmen were reported, shot dead by ‘unknown’ persons, which tribesmen claim were security forces and which the security forces claim were the militants of Mangal Bagh.They rose up in protest, bodies were lain down in front of KPK Governor, Syed Masood Kausar’s house, a delegation sent to present demands, negotiations were reported to be successful, the delegation returned to the protestors, but they did not accept the offer. Their demand was that the government should end operation in the tribal area.

The delegation had failed them.

They protested on,  Senator Hameedullah Jan Afridi, attempted to speak with the tribesmen, but the enraged tribesmen hurled shoes and stones at him, police came in, tear gas shells were fired, protestors were beaten, dispersed and the dead bodies hauled over trucks and moved to cold storage.

This happened in the province of a democratically elected government of Awami National Party.Regardless of who killed the tribes people, whether it were Mangal Bagh henchmen in FC disguise or whether it was the security forces  who shot the civilians, in the end it mattered how a democratic government who’s steeped in the ethos of non-violence promulgated by Bacha Khan, ended up dealing with the protestors.

It was a sensitive issue dealt with all the sensitivity of a blunt knife. If that’s the way the KPK government chooses to end protests of Tribesmen, then their reconciliation approaches in the war-ravaged areas of FATA must be questioned.

I ask the KPK government, did the protestors set fire to any government building?

Did they destroy any public property?

Were they a threat to the security of KPK?

Were their hurled shoes similar in threat to rockets and shells?

The protest was overall peaceful; the 12-member delegation that was sent couldn’t effectively fight the tribesmen case and hence enraged the tribesmen. However, the tribesmen didn’t go on a rampage, they chose to sit in. If they chose a peaceful method of protest in the hope of being given the same justice as the Hazara community and have their grievances addressed, then it was the government’s responsibility to reply in a similar manner.

Another important thing that strikes me in this tragedy is the deafening media silence on the issue. How many channels covered the sit in? But perhaps the important question here is how many Pakistanis actually chose to give an ear and an eye to the sit in?

Let’s ask ourselves truthfully; weren’t we looking for more entertainment provided by a Canadian national hiding behind bulletproof glass?Let us answer honestly; aren’t we desensitized over daily killings in FATA?

The details of the massacre are wooly and the nation needs to ask questions. Who did the killings? Why is it so that those killings come days after Lashkar e Islam Chief Mangal Baghthreatened violence against Khasadars, and for the first time in three years, Tribal Militia was redeployed in Bara to counter that threat. Who were those people that were gunned down? Were they related to the Khasadars? Answers must be given, perpetrators must be brought to book. The KPK government must be made to apologize for using force against the protestors !But no, perhaps the answers to these questions, the solution to our problems lies in the hollow  harangues of a certain Shaikh Ul Islam. I blame you Pakistanis. 

Tuesday, January 1, 2013

Top 10 Pakistani Songs of 2012



Top 10 Pakistani Songs of 2012: Einsjam's Review

No matter what fate throws at it, no matter how many times the political upheavals  and security crisis in the country puts a dampener on the music industry, the fact is that it is resilient and continues to churn out brilliant amazing and thought provoking music. My problem with last year's songs was the hollow lyrical quality that incorporated redundant lovey dovey themes and obtuse political messages. Not this year though. Love songs have had depth and the politics and social awareness oriented songs hit hard. Resilience and Brilliance was the theme of Pakistani music industry in the year of 2012, and from what I have seen and heard, expect more brilliance and creativity in 2013 as well. 

This year brought us  Farhan Saeed's mesmerizing Pi Jaoon, the insanely creative Waderay Ka Baita by Ali Gul Pir, hard hitting Awaam by Faris Shafi, footing tapping Deewana by Club Caramel and the supremely divine Charkha Naulakha by Atif Aslam and Qayaas courtesy Coke Studio. Talking about Coke Studio, it must be acknowledged that 2012 season of Coke Studio was the best one yet, apart from the 2009 Season 2 which is in a class of its own.

Therefore, without further ado here is my list of top 10 Pakistani songs of 2012:

10)  Jo Chaho:

This easygoing song has to be one of the best that has been released by the talented Zoe Viccaji till date. Zoe Viccaji has been doing quite well and apart from this particular song, Jis Nay Bhi Aana hay that was released around September 2012 was also quite brilliant. 

Now to the song. I love how it subtly changes from a slow and dreamy track to a rocking one towards the end and then suddenly ending dreamily. Lyrics, music and the vocals both make this a song a must have on your music player. The song features Sikandar Mufti (the resident percussionist of Coke Studio) and is produced by Shahi Hasan of the legendary Vital Signs Band.

9) Awaam:

Sung by the rapper Faris Shafi and featuring the interesting vocals of Mooroo, this song is a hard-hitting missile on the political situation of the country. Faris lays down the whole situation as it is and makes his point by hurling expletives at the right time. A song that every Pakistani can relate to and besides, the beats are catchy as well.

Not even the government blockade of You Tube could stop the rising popularity of this song Sher Khan, which is sung by Ahmed Siddiq and released solely on the social media  which the choice of most upcoming Pakistani musicians. The song starts with signature Pakistani frantic guitar riffs but the surprise comes when Ahmed Siddiq takes the mike and sings the song in a Pashto accent, he does a decent job in that the mock Pashto accent doesn't stray him from the song and instead of becoming a horrible Pashto mockery, the song becomes entertaining and unbelievably quite romantic in the middle parts where Ahmed Siddiq slows down the proceeding and sings in his normal voice. Needless to say, this song is a must have in your car's music player.

7) Deewana:

Club Caramel has been around for some time now and mostly functions on social media when it comes to releasing and marketing their songs. What’s more, they offer their songs free for download! But bad news is that the lead singer of the band, Kiran Chaudhry got married to an Indian millionaire Riyaaz Amlani, so the band's future is now doubtful ( poor Adnan Sarwar !) , I just hope she makes more songs as her voice is beautiful blend of Nazia Hasan and Shakila Khurasani ( hey ! that's just my opinion), 
Now this particular song has been on my playlist for a while and quite honestly, I am in love with the foot tapping simple music and the airy-fairy romanticism of the song. Adnan Sarwar's  guitaring is great as usual and the video direction is ok as well, but it is the vocals of Kiran that really steals the show. So the next time you are out on a drive with your partner, play that song !

6) Akhiyan

Another beautiful and melodious track by the man who's adored on both sides of the border, Ustad Rahat Nusrat Fateh Ali Khan. Soundtrack for the Indian Punjabi movie Mirza the Untold Story, this songs carries the trade mark  Fateh Ali vocals and the nice on ears music, cant get enough of it. A must for weddings !

And now for the TOP 5 !!



5)  Pi Jaaon:

While the disbanding of Jal would not have broken too many hearts given their recent performances , the fact is that Farhan Saeed with his amazing vocals will thrive whether he is in a band or not. And to prove my point is his hit song Pi Jaoon.

The vocals are heartfelt, the music doesn’t stray away from the vocals and the lyrics are deep too. The accompanying vocals of new comer Momina Mustehsan are enchanting. Farhan Saeed has produced a gem of a song that you can listen to every day and not get tired off.

4) Mahi:

Coke Studio’s influence on Pakistani music industry is indelible. It has added a fresh perspective to how Pakistani music is viewed abroad and better, it has introduced artistes to the masses that were otherwise known only to the young demographic.

Mahi is one such song that both me and my old school songs loving mom can agree that is heart touching, lyrically superior and musically masterfully produced. Much can be said about Farhad Humayun’s vocals, but honestly, I believe that this song required raw vocals, and Farhad  fit the bill perfectly. The passion with which he sang touched the listener. Besides the vocals, the drumming of Sikander Mufti was commendable. 5 Stars !


This song though is a coke studio collab of Symt and Sanam Marvi, but it is really all about Sanam Marvi in the end. My goodness, what vocals , Symt did a decent job in the song and added an interesting depth to the song, but Sanam just stole the show with the sheer power of her voice as she sang as if she really felt each and every word. Credit must be given to genius of Rohail Hyatt for song production. It is my opinion that this song should be an OST for some Pakistani drama.


2) Nindiya Kay Par: ( yes another Coke Studio song)

Ladies, hold your hearts, the heart throb Uzair Jaswal has presented us a diamond of a song. Soulful and mesmerizing, it is one of those songs in which you feel that every instrument is being played just about rightly. The insertion of Nusrat Fateh Ali’s Tere Bin Nai Lagda lyrics creates a powerful effect and you are carried away in a world of eternal moonshine and wilting flowers and soft breeze. I make a point of listening to it at least thrice a week. Good song to listen to when you are resting or reflecting on life itself. Hats off to Uzair for brilliant and emotional vocals.


Now this coke studio song is a class apart from all other songs that have been produced before it , before coke studio even came into being. Soaring magnificence and supreme love for the divine. This song has duality etched all across it, whether it’s the double meaning  lyrics or the two different musical styles blended into one. In a fusion  of which fusion physicists should be proud of, Rohail Hyatt fused legendary  Led Zeppelin’s Kahsmir’s  riffs with classical music demi god Nusrat Fateh Ali’s Charkha Naulkha lyrics. Mother Nature !! it was already doing good with Atif just slamming the vocals but Qayaas just lifted the song to celestial levels with Umair Jaswal’s ( yes ! the brother of Uzair Jaswal) rock vocals screeching the bejesus out of Izrael’s trumpet of doom.  This song is every music lover’s dream come true. Rock, classical mixed to form a supernatural number.

 May Pakistani music prosper in 2013 as well. Amen....



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